In the process of ideating this object, the goal was to effectively convey the concept of memory.Memory plays an important role in today’s noisy and busy life and connects people with their society and culture.

00.2 is a management desk that has a female face. The general form of the table consists of two cubes, one acts as a work surface and the other as a storage box. Plates of bent wood cover the cubes and give them elegance and visual richness. Thin bases connect the cubes and finally place them on the ground.

Its form draws inspiration from traditional Iranian and Middle Eastern sitting patterns, where people often sat on the ground and used “mukhta” ground chairs for comfort. Shahrokh echoes this practice with integrated mattress reminiscent of Mukhta, but elevated for contemporary use.

Ballerina is a different workstation. She is located in the architectural space properly and communicates with the user, due to the form and high visual ability in the audience, creates a kind of enthusiasm and interest in understanding and communication.

The form of this design follows a geometric pattern that is inspired by “Girih” and “miniature”; in traditional Iranian architectural decorations. Girih ( “knot”, also written gereh) are decorative Islamic geometric patterns used in architecture and handicraft objects, consisting of angled lines that form an interlaced strapwork pattern.

The interpretation of “simplicity" has been the designer’s main and inspiring concern to create this chair. The designer has fully tried to provide a simple and direct answer to performance and functionality. As mentioned before, Simplicity is the main concern of designer in modern time. Afra is simple, because: it explicitly responds to performance. While avoiding any exaggeration, it benefits from a clear affordance and can softly communicates with his surrounding and context.

Gis is a three-legged wooden chair with bronze feet and is carved out from two walnut logs with exquisite craftsmanship to seem as a sculpture. The wood knots and scars are remained exposed to give the objects a special characteristic Despite its uncanny appearance, Gis is ergonomic due to the careful design of curves and angles. The design is an

exploration of solid wood possibilities and also is a walk on the edge of “Art” and “Design”, “Beauty” and “Function”